O processo de construção da personagem Sônia na montagem cênica Valsa N6

Abstract

This work is based on the analysis of the possibilities proposed in the process of building the character Sônia in the staged Scenic Valsa N6. The experience, in which the actress manages to combine philosophy and the practice of movements, generates an experience with her body, a pulse of life, as a significant discovery for her profession and personal life. Hence this possibility of staging a character by Nelson Rodrigues, sentimentally dense and adding body movements that refer to these feelings, proposed by the direction, provides an immeasurable challenge for any research artist. This solitary trip, as it is a monologue, is guided by Professor Wellington Douglas dos Santos Dias, from UEA and Scenic Direction, also by research student Mary Melo. In addition to theoretical foundations such as Stanislaviski, Meyerhold and Grotowski. In this character building process, this awareness and continuities were sought, so that they become more important than strength and quantity. This awareness becomes an “everyday” attitude of the actor who achieves this bodily and cognitive sensitivity, as it is known that being in the character's present moment directly influences the other, the collectivity, the audience. The description of this process of construction of the character “Sônia” from Valsa N6, written by Nelson Rodrigues and directed by Mary Melo will be made and lived by me, Ivy Oliveira.